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〈書く女〉の誕生 : 『台湾愛国婦人』掲載小説・尾島菊子「幼きころ」
https://doi.org/10.15027/53508
https://doi.org/10.15027/535088c22b078-e000-4dcd-a489-a430df48a0a4
名前 / ファイル | ライセンス | アクション |
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Item type | デフォルトアイテムタイプ_(フル)(1) | |||||||||
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公開日 | 2023-03-18 | |||||||||
タイトル | ||||||||||
タイトル | 〈書く女〉の誕生 : 『台湾愛国婦人』掲載小説・尾島菊子「幼きころ」 | |||||||||
言語 | ja | |||||||||
タイトル | ||||||||||
タイトル | The Birth of a Writing Woman: “Days of Childhood" (Osanaki koro) by Kikuko Ojima: A novel in Taiwan Aikoku-Fujin | |||||||||
言語 | en | |||||||||
作成者 |
下岡, 友加
× 下岡, 友加
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アクセス権 | ||||||||||
アクセス権 | open access | |||||||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
主題 | ||||||||||
主題Scheme | Other | |||||||||
主題 | 尾島(小寺)菊子 | |||||||||
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主題Scheme | Other | |||||||||
主題 | 「父の罪」 | |||||||||
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主題Scheme | Other | |||||||||
主題 | 女性作家 | |||||||||
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主題Scheme | Other | |||||||||
主題 | 自己表象 | |||||||||
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主題Scheme | Other | |||||||||
主題 | 〈外地〉刊行雑誌 | |||||||||
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主題Scheme | Other | |||||||||
主題 | Kikuko Ojima (Kodera) | |||||||||
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主題Scheme | Other | |||||||||
主題 | “Sins of the Father" (Chichi no tsumi) | |||||||||
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主題Scheme | Other | |||||||||
主題 | female author | |||||||||
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主題Scheme | Other | |||||||||
主題 | self-expression | |||||||||
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主題Scheme | Other | |||||||||
主題 | magazine | |||||||||
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主題Scheme | Other | |||||||||
主題 | overseas territory | |||||||||
内容記述 | ||||||||||
内容記述 | Kikuko Ojima (Kodera) (1879–1956) is an author who is known as one of the “three accomplished ladies of the Taisho period." This article concretely explicates the themes and methods of the full-length novel “Days of Childhood"(Osanaki koro) (1913.3–1914.12), which Kikuko submitted to Taiwan Aikoku-Fujin, published in Taiwan when it was under Japanese rule. While “Days of Childhood" shares many aspects with Kikuko’s representative “autobiographical" novel “Sins of the Father" (Chichi no tsumi) (3–6.1911), it also differs significantly in that a woman’s education is presented as an important element in her later independence and occupation. Moreover, there are examples of groundless negative statements about female teachers in Kikuko’s novels, but in “Days of Childhood," a former female teacher can be said to play an important role as her stern words serve to facilitate a self-awakening in the main character. Furthermore, unlike “Sins of the Father," the main character in “Days of Childhood" finally decides to become independent as a writing woman, making it possible to understand “Days of Childhood" as a self-referential text in which Kikuko herself reveals the process that led to the writing of the novel. As Taiwan Aikoku-Fujin is a rare piece of literature, the very existence of the novel “Days of Childhood" was not unknown until recent years. However, this novel may be considered to be of an exceedingly high value because it is an excellent autobiographical novel by Kikuko Ojima, a pioneering female professional writer who became a bridge to the female expression of the 1920s. | |||||||||
言語 | en | |||||||||
内容記述 | ||||||||||
内容記述タイプ | Other | |||||||||
内容記述 | 本稿は、JSPS 科研費JP21K00265の助成を受けた研究成果の一部である。 | |||||||||
出版者 | ||||||||||
出版者 | 広島大学文学部 | |||||||||
言語 | ||||||||||
言語 | jpn | |||||||||
資源タイプ | ||||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
資源タイプ | departmental bulletin paper | |||||||||
出版タイプ | ||||||||||
出版タイプ | VoR | |||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
ID登録 | ||||||||||
ID登録 | 10.15027/53508 | |||||||||
ID登録タイプ | JaLC | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | ISSN | |||||||||
収録物識別子 | 2436-410X | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | NCID | |||||||||
収録物識別子 | AA12917288 | |||||||||
開始ページ | ||||||||||
開始ページ | 1 | |||||||||
書誌情報 |
広島大学文学部論集 The Hiroshima University studies, School of Letters 巻 82, p. 1-20, 発行日 2022-12-28 |
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旧ID | 53508 |