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  1. 広島大学の刊行物
  2. 広島大学文学部紀要
  3. 50巻

南部文学におけるゴシック小説 : Faulknerの場合

https://doi.org/10.15027/25173
https://doi.org/10.15027/25173
d06a4359-09dc-4716-9d65-5660190f3b68
名前 / ファイル ライセンス アクション
HUSFL_50_126.pdf HUSFL_50_126.pdf (883.4 KB)
Item type デフォルトアイテムタイプ_(フル)(1)
公開日 2023-03-18
タイトル
タイトル 南部文学におけるゴシック小説 : Faulknerの場合
言語 ja
タイトル
タイトル The Gothic Novel in Southern Literature
言語 en
作成者 田中, 久男

× 田中, 久男

ja 田中, 久男

en Tanaka, Hisao

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
主題
主題Scheme NDC
主題 930
内容記述
内容記述 Leslie Fiedler observes in his Love and Death in the American Novel: "The final horrors, as modern society has come to realize, are neither gods nor demons, but intimate aspects of our own minds." This observation may be taken in a sense as true, for such modern novels as Faulkner's Absalom, Absalom! or Capote's Other Voices, Other Rooms bring about part of their Gothicism from the tendency to grope into the mystery of the human mind, just like the Gothic tales of Hawthorne or Poe. Absalom, Absalom!, however, which is the main concern of this paper, has different qualities from those of works of the 19th century, because Faulkner, fully understanding the historical significance of the radically innovative, artistic devices of modernism which flourished in the 1920's, experimentally put them into practice in his own novels like The Sound and the Fury or As I Lay Dying. Absalom, Absalom! is also such a novel. Thus, employing four narrators (namely, four points of view, some of which are not wholly reliable) who try to reconstruct the past shadowy story of the Sutpen family by their imagination, this novel serves to produce and heighten, as François Pitavy notes, Gothicism at three levels, "at the surface level of the story, but more profoundly in the narration and in the narrative," especially because the first narrator Miss Rosa 's emotionally surcharged narration is intended to evoke a sense of doom. Another modernistic quality of this novel is the disintegration of the chronological flow of time in the development of the story, through which the reader, moving incessantly between the present and the past, cannot but perceive the destructive, corrosive force of time working in the story of the fall of the Sutpen family. These modernistic devices, together with the use of the theme of miscegenation, a taboo of Southern society, and the apocalyptic vision, help this novel go beyond merely sensational Gothic novels. Further, in considering the Gothic novel in the context of Southern literature, we should pay attention to Carson McCullers' comment: "I wonder sometimes, if what they call the 'Gothic' school of Southern writing, in which the grotesque is paralleled with the sublime, is not due largely to the cheapness of human life in the South." For, the sense of "the cheapness of human life in the South" seems to be closely related to the outburst of violence which is described not only in Absalom, Absalom!, but other Southern Gothic novels, the violence of the kind that stems from the Southern milieu embodied in religious fanaticism, racial prejudices, or the miserable condition of poor whites.
言語 en
出版者
出版者 広島大学文学部
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.15027/25173
ID登録タイプ JaLC
収録物識別子
収録物識別子タイプ ISSN
収録物識別子 0437-5564
収録物識別子
収録物識別子タイプ NCID
収録物識別子 AN00213701
開始ページ
開始ページ 126
書誌情報 広島大学文学部紀要
The Hiroshima University studies, Faculty of Letters

巻 50, p. 126-149, 発行日 1991-03-30
旧ID 25173
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