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18世紀アイルランド人画家ジェイムズ・バリーによる小品肖像画《ニュージェント博士像》とそこからの発展的逸脱 : パトロン・大陸遊学・アカデミー
https://doi.org/10.15027/52018
https://doi.org/10.15027/520186b8f2356-d402-43d0-90e7-cce1e3d7f9b3
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
StuIntegrArtSci_2_1.pdf (13.1 MB)
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| Item type | デフォルトアイテムタイプ_（フル）(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-03-18 | |||||||||
| タイトル | ||||||||||
| タイトル | 18世紀アイルランド人画家ジェイムズ・バリーによる小品肖像画《ニュージェント博士像》とそこからの発展的逸脱 : パトロン・大陸遊学・アカデミー | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | Small-scaled Masterpiece Portrait of Dr. Christopher Nugent (1773) by James Barry, An Irish Painter in the 18th Century, and the Developmental Deviation: Regarding His Relationship with Patron, Grand Tour, and Academy. | |||||||||
| 言語 | en | |||||||||
| 作成者 |
桑島, 秀樹
× 桑島, 秀樹
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 権利情報 | ||||||||||
| 権利情報 | 掲載された論文，研究ノート，要旨などの出版権・著作権は広島大学大学院人間社会科学研究科に帰属する。 ©2021 Graduate School of Humanities and Social Sciences, Hiroshima University. All rights reserved. | |||||||||
| 内容記述 | ||||||||||
| 内容記述 | This paper aims to clarify the talents and tastes of James Barry, R. A. (1741-1806), a Corkborn Irish Catholic “forgotten" painter, flourishing around the second half of the eighteenth century. We predominantly discuss his masterpiece portrait of Christopher Nugent, M. D., exhibited in 1773 at the London Royal Academy regarding the following points: 1) his patrons and mentors by the Burkes, 2) his continental Grand Tour in France and Italy, and 3) his evaluation at the Royal Academy of Arts, London. First, we explore the tripartite relationship among James Barry, Edmund Burke (1729-57), and Dr. Nugent (1698-1775). The sitter, old Nugent, was a famous Irish Catholic physician and Burke’s father-in-law. He was a member of the Burke family in London. They were all involved in the “Cork-Catholic connection." Second, Edmund Burke had taken Barry to London from Ireland, and his Grand Tour was financially and mentally managed by Burke and his family in London, including Dr. Nugent. Third, after his seven-year-Grand Tour, Barry was appointed as a full Royal Academician in 1773 and exhibited a pair of the gentleman portraits of Dr. Nugent and Giuseppe Baretti, a learned Italian scholar in the same year. In the 1780s, Barry successfully received the professorship of painting at the Royal Academy and gave some lectures to students, which were not unsystematic, but extensive and illuminating to the young. Barry rejected the academic “grand manner" or “great style" established by the first R. A. president, Sir Joshua Reynolds. Unlike Reynolds, Barry finally pursued the unity of all aesthetical categories: beauty, grace, and the sublime, reflecting all the tastes of various people. Consequently, Barry was to have a relationship not only with Neo-classism, but also with Romanticism, employing social criticism with thorny satire. He became interested in large paintings such as “public art." We conclude that the portrait of Dr. Nugent is a small-sized and personal piece with skillful delicacy. The virtue of charity or mercifulness with the old scholar is crystallized on its surface by the painter’s brush. During Barry’s painter life, this small portrait was not overwhelming and epoch-making one like his other huge “public" paintings, but one of the most fascinating and moving ones in expressing his personal affections in the utmost skills that he had learned through his Grand Tour. | |||||||||
| 言語 | en | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | 本稿は、平成24～26年度のKAKEN-HI（No. 24652033）に基づく研究成果の一部である。 | |||||||||
| 出版者 | ||||||||||
| 出版者 | 広島大学大学院人間社会科学研究科 | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.15027/52018 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 2436-2603 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA12912965 | |||||||||
| 開始ページ | ||||||||||
| 開始ページ | 1 | |||||||||
| 書誌情報 |
広島大学大学院人間社会科学研究科紀要. 総合科学研究 Bulletin of the Graduate School of Humanities and Social Sciences, Hiroshima University. Studies in integrated arts and sciences 巻 2, p. 1-24, 発行日 2021-12-31 |
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| 見出し | ||||||||||
| 大見出し | 人間科学部門〔論文〕 | |||||||||
| 言語 | ja | |||||||||
| 見出し | ||||||||||
| 大見出し | Human Sciences〔Articles〕 | |||||||||
| 言語 | en | |||||||||
| 旧ID | 52018 | |||||||||
