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雑誌『女聲』の婦人論をめぐって : 一九三〇〜一九四〇年代の上海におけるフェミニズム
https://doi.org/10.15027/52323
https://doi.org/10.15027/5232317c8b36a-5160-44bf-a71b-7e0e624bf342
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
BRCTR_17_13.pdf (1.0 MB)
|
| Item type | デフォルトアイテムタイプ_（フル）(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-03-18 | |||||||||
| タイトル | ||||||||||
| タイトル | 雑誌『女聲』の婦人論をめぐって : 一九三〇〜一九四〇年代の上海におけるフェミニズム | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | Feminist Theory in the Magazine Women’s Voice: Feminism in Shanghai in the 1930s and 1940s | |||||||||
| 言語 | en | |||||||||
| 作成者 |
張, 備
× 張, 備
|
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | feminism | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Shanghai | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Toshiko Tamura | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Women's Voice | |||||||||
| 内容記述 | ||||||||||
| 内容記述 | In the 1930s, when the global economic depression hit the world, influenced by the policies of Western countries that tried to restrict women’s participation in society, Chiang Kai-shek implemented the “New Life Movement," which advocated the Confucian virtues of “propriety, righteousness, integrity, and shame" in order to cultivate modern citizens, through which traditional phrases such as “Good Wife and Wise Mother" and “Three Obediences and Four Virtues" were revived. In the 1930s and early 1940s, in response to the global situation and the government’s policies, there were debates over old moral ideals such as “Women Back Home" and “Good Wife and Wise Mother" in Shanghai media circles. Moreover, in the late 1930s—especially after the outbreak of the Japanese-Chinese war in 1937—the discussion of women’s relationship with the state only intensified. Women’s Voice, a magazine for women established in 1942, also discussed these problems. In this paper, I analyze how the articles in Women’s Voice addressed the issues women faced in the 1930s in China and explore the magazine’s position and its influence on Chinese women. Furthermore, I compare the articles that addressed women’s issues, with the editor Toshiko Tamura’s own arguments, to shed light on her thoughts and editorial stance during her years in China. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 広島大学表現技術プロジェクト研究センター | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.15027/52323 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA12016400 | |||||||||
| 開始ページ | ||||||||||
| 開始ページ | 13 | |||||||||
| 書誌情報 |
表現技術研究 Bulletin of the Research Center for the Technique of Representation 号 17, p. 13-27, 発行日 2022-03-31 |
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| 旧ID | 52323 | |||||||||
