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太宰治「清貧譚」論 : 新体制下における太宰の俗との関わり方に着目して
https://doi.org/10.15027/53586
https://doi.org/10.15027/535861e4f4b9e-46a6-4232-ae07-f140ac5e3c73
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
HNBK_16_1.pdf (1.3 MB)
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| Item type | デフォルトアイテムタイプ_（フル）(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-03-18 | |||||||||
| タイトル | ||||||||||
| タイトル | 太宰治「清貧譚」論 : 新体制下における太宰の俗との関わり方に着目して | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | “Seihintan" by Osamu Dazai: Focus on Dazai’s relationship with the secular under the New Order Movement | |||||||||
| 言語 | en | |||||||||
| 作成者 |
史, 蕊
× 史, 蕊
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 権利情報 | ||||||||||
| 権利情報 | Copyright (c) 2023 広島大学大学院人間社会科学研究科人文学プログラム総合人間学分野 | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Osamu Dazai | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | “Seihintan" | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | New Order Movement | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | “Huang Ying" | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Adaptation Novel | |||||||||
| 内容記述 | ||||||||||
| 内容記述 | “Seihintan" by Osamu Dazai is based on “Huang Ying," which is an adaptation novel of Strange Tales from a Chinese Studio written by Chinese writer Pu Songling of the Qing dynasty. This paper will begin with the background of the era by inspecting the New Order Movement and the cultural reform proposed by Konoe Fumimaro in 1940, exploring the possibility that Dazai incorporated his own perspectives on art in this piece of work. Second, through a comparative study of the content and literary expression of “Seihintan" and “Huang Ying," especially the sarcastic rewriting of the main character Sainosuke, it was possible to catch a glimpse of Dazai’s aversion to the practice of art with ignorance to reality and the label of being free from vulgarity. However, in his other works, Dazai praised the artists for their noble character and how their creations were not bound by secularism, which is a powerful contrast to “Seihintan." Therefore, this paper analyzes the reason behind Dazai’s contradictory writing and his intentional focus on secularism in “Seihintan." At the same time, Dazai’s relationship with the secular under the New Order Movement is analyzed. To conclude, “Seihintan" presented a wandering image of Osamu Dazai between the “ordinary" and “detached," the character Saburo carries the author’s idealized vision for solving the national difficulties and call for a free environment for artistic creation. In this work, Dazai defends himself against the criticism of his secularization. | |||||||||
| 言語 | en | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | 本稿は、第6 回東アジア日本研究者協議会国際学術大会（2022年11月4 - 6日、オンライン）において口頭発表した内容をもとに、修正を加えたものである。 | |||||||||
| 出版者 | ||||||||||
| 出版者 | 広島大学大学院人間社会科学研究科人文学プログラム総合人間学分野 | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.15027/53586 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 1882-8701 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA1234386X | |||||||||
| 開始ページ | ||||||||||
| 開始ページ | 1 | |||||||||
| 書誌情報 |
比較日本文化学研究 比較日本文化学研究 号 16, p. 1-22, 発行日 2023-03-31 |
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| 見出し | ||||||||||
| 大見出し | 論文 | |||||||||
| 言語 | ja | |||||||||
| 旧ID | 53586 | |||||||||
