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  1. 広島大学の刊行物
  2. 欧米文化研究
  3. 2号

思春期小説The Man Without a Faceにおける「男」らしさの探求

https://hiroshima.repo.nii.ac.jp/records/2016615
https://hiroshima.repo.nii.ac.jp/records/2016615
deaef27b-d0ec-4c2c-b06e-112646676dc2
名前 / ファイル ライセンス アクション
OubeiBunkaKenkyu_2_1.pdf OubeiBunkaKenkyu_2_1.pdf (661.0 KB)
Item type デフォルトアイテムタイプ_(フル)(1)
公開日 2023-03-18
タイトル
タイトル 思春期小説The Man Without a Faceにおける「男」らしさの探求
言語 ja
タイトル
タイトル The Quest of "Masculinity" in The Man Without a Face
言語 en
作成者 吉田, 純子

× 吉田, 純子

ja 吉田, 純子

en Yoshida, Junko

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
主題
主題Scheme NDC
主題 930
内容記述
内容記述 When Isabelle Holland's third novel for young adults, The Man Without a Face, was published in 1972, its controversial subject of homosexuality drew much public attention and enjoyed favorable book reviews. After almost two decades, this novel was made into a film with the same title. It is a story about a fatherless adolescent boy (Charles Nostad) who encounters a father figure (Justin McLeod) nicknamed "The Man Without a Face" because of his facial disfigurement. The plot is based on the archetypal "journey" in the "Arthurian Legend." In this mythological story Percival who is a fatherless youth encounters the wounded Fisher King. As interpreted by Jungian psychologists, this is a quest story in which the adolescent boy seeks his male identity/masculinity through an encounter with the father figure. In The Man Without a Face, Justin stands proxy for Charles's absent father and eventually helps him gain his male identity/masculinity for which Charles has been searching. In this sense, "The Man Without a Face" means two things: Justin McLeod, whose face is disfigured, and Charles's biological father whose face he barely remembers. The author refers to the special time/space which Justin and Charles share as a "golden cocoon." The space functions as the psychological framework of the novel, and works as a place for communication and psychological healing: a kind of therapy room. It is, in other words, a place of intimacy between the boy and the man where each can heal their wounds. It is also a place where the author can reveal a unique image of the "nurturing father" who is also homosexual. In the novel several episodes hint somewhat exaggeratedly at the growing phnomenon of "absent fathers" in America. Thus, by reading the novel in social and cultural context, we will have a different perspective of the specific "masculinity" portrayed in the book. The novel was published a little past the peak of the second wave feminist movement in America and the anti-Vietnam War movement. During this period not only was "manly toughness" severely condemned, but also fathers who believed in the myth of "family togetherness" were criticized. From one psychological point of view, men suffered tremendous phychic trauma because they lost a vital connection to the "Earth Mother" and were separated from their children. In other words, fathers lost their confidence in their "masculinities," and adolescent sons were deprived of good role models. Both Betty Friedan and Herb Goldberg maintain in their books that both femininity and masculinity went through radical change during this period. Thus, in the context of such traumatic psychic dislocation for men, the author provides a radically new image of psychological healing and male idendity/masculinity through the image of the nurturing homosexual father.
言語 en
出版者
出版者 広島大学大学院社会科学研究科国際社会論専攻
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
収録物識別子
収録物識別子タイプ NCID
収録物識別子 AN10583886
開始ページ
開始ページ 1
書誌情報 欧米文化研究
Studies in European and American Culture

号 2, p. 1-17, 発行日 1995-10-01
旧ID 32241
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