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ドライデンの頌歌「アレクサンダー大王の饗宴，または音楽の力」 における詩と音楽の分裂
https://doi.org/10.15027/55133
https://doi.org/10.15027/5513365dbbe7b-5332-4c0c-b1f9-761fee0715fe
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
HiroshimaStud-EnglLangLit_68_47.pdf (1.1 MB)
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| Item type | デフォルトアイテムタイプ_（フル）(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2024-04-12 | |||||||||
| タイトル | ||||||||||
| タイトル | ドライデンの頌歌「アレクサンダー大王の饗宴，または音楽の力」 における詩と音楽の分裂 | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | The Dissociation of Poetry and Music in Dryden’s Ode, ‘Alexander’s Feast or, The Power of Music’ | |||||||||
| 言語 | en | |||||||||
| 作成者 |
吉中, 孝志
× 吉中, 孝志
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 権利情報 | ||||||||||
| 言語 | ja | |||||||||
| 権利情報 | 著作権は，執筆者本人と広島大学英文学会に帰属するものとします。 | |||||||||
| 内容記述 | ||||||||||
| 内容記述 | In his famous essay ‘The Metaphysical Poets’, T. S. Eliot asserted that ‘a dissociation of sensibility’ had occurred during the seventeenth century, and that it ‘was aggravated by the influence of the two most powerful poets of the century, Milton and Dryden’. This paper argues that the second of Dryden’s two odes written for St. Cecilia’s Day provides a concrete piece of evidence for Eliot’s otherwise abstract assertion. In theory, if music be the food of love, that is, if it stimulates emotions, and if poetry conveys meanings, a happy marriage of music and poetry would generate what Eliot called ‘a direct sensuous apprehension of thought’. In practice, however, the ‘musical language’ of the poets may merely imply imitation of musical effects, thus disclosing the remoteness of true musicality. The divorce of poetry and music could happen either when the words of a song acquired a dominant priority over music, as in the works of the Puritan poets like Milton who believed that the words should control emotions, or when instrumental music matured and became independent enough to be played in concerts and other public performances by professional virtuosi. After the Restoration, Dryden’s odes enjoyed the latter environment, and consequently, I argue, his ‘Alexander’s Feast’, set to music by great composers like Handel, shows an obvious reduction of the connectedness of music to particular words. Demonstrating that ‘Alexander’s Feast’ is a mock-heroic poem, this paper points out that so long as the listeners are pleasantly and swiftly carried away by the musical surface without sinking into the deeper level of ironic meanings, not only Timotheus and Cecilia, who ‘both divide the crown’ (168), but also Alexander could be genuine (as opposed to mock) heroes of this dramatic ode. | |||||||||
| 言語 | en | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | 本論文は，2023年10月29日に島根大学で開催された第75回日本英文学会中国・四国支部大会シンポジアム「英文学と音楽／音楽性」において報告した「『曖昧過ぎる正解も譜面にして』―ドライデンの頌歌について」を加筆修正したものである。 | |||||||||
| 言語 | ja | |||||||||
| 出版者 | ||||||||||
| 出版者 | 広島大学英文学会 | |||||||||
| 言語 | ja | |||||||||
| 出版者 | ||||||||||
| 出版者 | The English Literary Association of Hiroshima University | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.15027/55133 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 開始ページ | ||||||||||
| 開始ページ | 47 | |||||||||
| 書誌情報 |
ja : 英語英文學研究 en : Hiroshima studies in English language and literature 巻 68, p. 47-63, ページ数 17, 発行日 2024-03-20 |
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| 見出し | ||||||||||
| 大見出し | 特集：英文学と音楽／音楽性 | |||||||||
| 言語 | ja | |||||||||
| 見出し | ||||||||||
| 大見出し | English Literature and Music/Musicality | |||||||||
| 言語 | en | |||||||||
| 旧ID | 55133 | |||||||||
