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「海外超現実主義作品展」（一九三七年）における複製写真展示の意義 : シュルレアリスム「国際」展の観点から <査読論文>
https://hiroshima.repo.nii.ac.jp/records/2015307
https://hiroshima.repo.nii.ac.jp/records/20153071fcfcea9-fb48-4e33-a5a2-6ef9b44d348e
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
GeijutsuKenkyu_33_1.pdf (3.3 MB)
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| Item type | デフォルトアイテムタイプ_（フル）(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-03-18 | |||||||||
| タイトル | ||||||||||
| タイトル | 「海外超現実主義作品展」（一九三七年）における複製写真展示の意義 : シュルレアリスム「国際」展の観点から <査読論文> | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | The Exposition internationale du surréalisme in Tokyo (1937) and the Meaning of Displaying Photographic Reproductions <Articles> | |||||||||
| 言語 | en | |||||||||
| 作成者 |
石井, 祐子
× 石井, 祐子
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 権利情報 | ||||||||||
| 権利情報 | Copyright (c) 2020 by Author | |||||||||
| 内容記述 | ||||||||||
| 内容記述 | In 1937, a small exhibition entitled Exhibition of Surrealist Works from Overseas was held at Nippon Salon in Tokyo. This exhibition was the first and almost the only surrealist exhibition in Japan before WWII, and in this sense, it definitely played a crucial role in the development of surrealism in Japan. Nevertheless, the evaluation of this exhibition was conditional. There seems to be two main reasons for this. Firstly, domestic artwork was completely excluded from this exhibition despite its official French title, Exposition internationale du surréalisme. Secondly, the majority of the works displayed there were photographic reproductions, and so considered less significant than the originals. These aspects have created an impression of the exhibition as an introduction of imported western art or for the purpose of ‘enlightening’ Japanese artists. In this paper, I examine the significance of the first surrealist exhibition in Japan from a viewpoint of the meaning of the display of photographic reproductions. Throughout the discussion, we find a much more ambitious strategy for the exhibition of surrealism than had been previously recognized: it used the power of prints and photographic reproductions as a springboard for the distribution of surrealist images, ideas, and practices. | |||||||||
| 言語 | en | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | 本稿は、SURREALISMS 2019: 2nd Conference of the International Society for the Study of Surrealism （ISSS）で行った口頭発表に基づき、大幅な加筆修正を施したものである。本研究の一部は、JSPS科研費 JP17K13355の助成を受けた。 | |||||||||
| 出版者 | ||||||||||
| 出版者 | 広島芸術学会 | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 0914-9872 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AN10217323 | |||||||||
| 開始ページ | ||||||||||
| 開始ページ | 1 | |||||||||
| 書誌情報 |
藝術研究 Annual Review of Hiroshima Society for Science of Arts 号 33, p. 1-16, 発行日 2020-10-01 |
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| 旧ID | 50389 | |||||||||
