{"created":"2025-04-18T06:43:10.580128+00:00","id":2040399,"links":{},"metadata":{"_buckets":{"deposit":"bb70224e-b4c4-4649-8405-202443db2c87"},"_deposit":{"created_by":83,"id":"2040399","owner":"83","owners":[83],"pid":{"revision_id":0,"type":"depid","value":"2040399"},"status":"published"},"_oai":{"id":"oai:hiroshima.repo.nii.ac.jp:02040399","sets":["1727147343679:1730443857407:1744697813671"]},"author_link":[],"control_number":"2040399","item_1617186331708":{"attribute_name":"Title","attribute_value_mlt":[{"subitem_title":"宮崎駿の映画作品『君たちはどう生きるか』における視覚的隠喩研究","subitem_title_language":"ja"},{"subitem_title":"A Study of Visual Metaphors in Hayao Miyazaki’s Film The Boy and the Heron","subitem_title_language":"en"}]},"item_1617186419668":{"attribute_name":"Creator","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"史, 兆紅","creatorNameLang":"ja"},{"creatorName":"SHI, Zhaohong","creatorNameLang":"en"}]},{"creatorNames":[{"creatorName":"曹, 午代","creatorNameLang":"ja"},{"creatorName":"CAO, Wudai","creatorNameLang":"en"}]}]},"item_1617186476635":{"attribute_name":"Access Rights","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_1617186499011":{"attribute_name":"Rights","attribute_value_mlt":[{"subitem_rights":"本誌に発表された論文等の著作権は、広島大学大学院人間社会科学研究科人文学プログラム総合人間学分野に帰属する。","subitem_rights_language":"ja"}]},"item_1617186609386":{"attribute_name":"Subject","attribute_value_mlt":[{"subitem_subject":"Hayao Miyazaki","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Anti-War Philosophy","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"The Boy and the Heron","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Visual Metaphor","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_1617186626617":{"attribute_name":"Description","attribute_value_mlt":[{"subitem_description":"Through the interpretation of visual metaphors of animals and still life in Hayao　Miyazaki’s masterpiece The Boy and the Heron, this paper explores the symbolism of the parakeet, “Warawara,” and the pelican, which represent invaders, victims, and ordinary soldiers influenced by militaristic ideology. Additionally, by analyzing the　symbols of “building blocks” and the “master of the tower”, which represent the　corruption of power, the visual metaphors in the film are used to reveal the violent nature of invasion and offer a deep reflection on the thoughts and philosophy　embedded in the work by Miyazaki.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_1617186643794":{"attribute_name":"Publisher","attribute_value_mlt":[{"subitem_publisher":"広島大学大学院人間社会科学研究科人文学プログラム比較日本文化学分野","subitem_publisher_language":"ja"}]},"item_1617186702042":{"attribute_name":"Language","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_1617186819068":{"attribute_name":"Identifier Registration","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15027/0002040399","subitem_identifier_reg_type":"JaLC"}]},"item_1617186920753":{"attribute_name":"Source Identifier","attribute_value_mlt":[{"subitem_source_identifier":"1882-8701","subitem_source_identifier_type":"ISSN"}]},"item_1617187056579":{"attribute_name":"Bibliographic Information","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2025-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"18","bibliographicNumberOfPages":"12","bibliographicPageEnd":"123","bibliographicPageStart":"112","bibliographic_titles":[{"bibliographic_title":"比較日本文化学研究","bibliographic_titleLang":"ja"}]}]},"item_1617258105262":{"attribute_name":"Resource Type","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_1617265215918":{"attribute_name":"Version Type","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_1617605131499":{"attribute_name":"File","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2025-04-22"}],"filename":"HNBK_18_112 .pdf","filesize":[{"value":"1.3 MB"}],"format":"application/pdf","mimetype":"application/pdf","url":{"objectType":"fulltext","url":"https://hiroshima.repo.nii.ac.jp/record/2040399/files/HNBK_18_112 .pdf"},"version_id":"4f8cea83-22f4-448d-9b83-85d320f19b8c"}]},"item_1617620223087":{"attribute_name":"Heading","attribute_value_mlt":[{"subitem_heading_banner_headline":"論文","subitem_heading_language":"ja"}]},"item_title":"宮崎駿の映画作品『君たちはどう生きるか』における視覚的隠喩研究","item_type_id":"40036","owner":"83","path":["1744697813671"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2025-04-22"},"publish_date":"2025-04-22","publish_status":"0","recid":"2040399","relation_version_is_last":true,"title":["宮崎駿の映画作品『君たちはどう生きるか』における視覚的隠喩研究"],"weko_creator_id":"83","weko_shared_id":-1},"updated":"2025-04-21T23:50:25.868622+00:00"}