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S. Donaudy "36 Arie di stile antico" 研究IV : オペラ作品との関わりを視点として その2
https://doi.org/10.15027/26102
https://doi.org/10.15027/26102f61aea55-bdb3-4680-a754-016bd1c48da6
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
BullGradSchEducHiroshimaUniv-Part2-ArtsSciEduc_57_371.pdf (436.7 KB)
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| アイテムタイプ | デフォルトアイテムタイプ_（フル）(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-03-18 | |||||||||
| タイトル | ||||||||||
| タイトル | S. Donaudy "36 Arie di stile antico" 研究IV : オペラ作品との関わりを視点として その2 | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | A Study on S. Donaudy "36 Arie di stile antico" IV : Regarding his operatic works no.2 | |||||||||
| 言語 | en | |||||||||
| 作成者 |
枝川, 一也
× 枝川, 一也
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | S. Donaudy | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 36 Arie di stile antico | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | opera | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | S. ドナウディ | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 古典様式による36の歌曲集 | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | オペラ | |||||||||
| 主題 | ||||||||||
| 主題Scheme | NDC | |||||||||
| 主題 | 760 | |||||||||
| 内容記述 | ||||||||||
| 内容記述 | I have examined S. Donaudy's (1879-1925) "36 Arie di stile antico" from various perspectives to analyze the music and content, and shed light upon his unique style and musical phraseology. I find it deeply interesting that, although S. Donaudy has become widely known and received in Japan, his work has garnered little interest in Western countries; there is almost no research into historical documentation regarding his life or music. In that paper, I introduced the content of "SPERDUTI NEL BUIO" (1907), the fourth of S. Donaudy's six operatic works, which are already out of print. In this paper, a continuation of our previous one, I attempt to analyze more deeply this same opera. "morendo", which Donaudy used impressively in his "36 Arie di stile antico", is used frequently in this opera. This is especially seen in its use for the way of life of the main protagonists, Nunzio and Paolina, and the fateful scene of Duca Vallenza. It is extremely interesting how it was used in such a striking manner. Trying to surmise the intentions of the composer, and how these indications should be interpreted in regards to the performance of the opera are issues, I believe, that are better left entrusted to the individual performers. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 広島大学大学院教育学研究科 | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.15027/26102 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 1346-5554 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA11618725 | |||||||||
| 開始ページ | ||||||||||
| 開始ページ | 371 | |||||||||
| 書誌情報 |
広島大学大学院教育学研究科紀要. 第二部, 文化教育開発関連領域 Bulletin of the Graduate School of Education, Hiroshima University. Part. II, Arts and science education 号 57, p. 371-378, 発行日 2008-12-26 |
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| 旧ID | 26102 | |||||||||
