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『ラーマナ王物語』研究 : 修辞法の分析と後半部の訳註
https://doi.org/10.15027/52426
https://doi.org/10.15027/52426a176a26c-64b5-4953-b705-34876b15c91c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
Ann-ResProjCent-CompStudLogic_19_13.pdf (1.1 MB)
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| Item type | デフォルトアイテムタイプ_（フル）(1) | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-03-18 | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | 『ラーマナ王物語』研究 : 修辞法の分析と後半部の訳註 | |||||||||||||
| 言語 | ja | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | A Study of the Rā ma ṇa’i gtam rgyud: An Analysis of Rhetoric and an Annotated Translation of the Second Part | |||||||||||||
| 言語 | en | |||||||||||||
| 作成者 |
根本, 裕史
× 根本, 裕史
× 扎布
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| アクセス権 | ||||||||||||||
| アクセス権 | open access | |||||||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||||||
| 内容記述 | ||||||||||||||
| 内容記述 | This article contains an annotated Japanese translation of the Rā ma ṇa’i gtam rgyud of Zhang zhung chos dbang grags pa, together with an introductory analysis of its rhetoric. The first half of the Rā ma ṇa’i gtam rgyud is translated in our previous paper. Therefore the remaining portion appears here. Like many other Tibetan texts written in poetic verse, the Rā ma ṇa’i gtam rgyud is composed in accordance with the theory of Daṇḍin’s Kāvyādarśa. Poetic ornaments (rgyan, alaṁkāra) such as simile(dpe, upamā), metaphors (gzugs can, rūpaka), poetic fancy (rab rtog, utprekṣā), concise speech (bsdus brjod, samāsokti), repetition of syllables (zung ldan, yamaka) and so forth, all of which are prescribed in the Kāvyādarśa, appear throughout the work. But what attracts our attention is that Chos dbang grags pa frequently uses a rhetorical device that is not prescribed by Daṇḍin. Don grub rgyal, a twentieth century scholar and writer, calls it “an implicit metaphor" (sbas pa’i gzugs can). This is a metaphor where what compares (dpe) is explicitly stated but the subject of comparison (dpe can) is not, as in lag sor nyi ’od tshogs kyis ni pad ma’i tshal ’di mngon par phye (“The fingers of their hands, bundles of sunlight, made this lotus garden [= the box Sītā was trapped in] bloom."). This technique, which gives the readers a sense of intermingling reality and illusion, has the effect of intensely expressing the emotions of each character. The fact that implicit metaphors are used so often indicates that the Rā ma ṇa’i gtam rgyud is written for the readers who already know the plot of the story. The reason that the Rā ma ṇa’i gtam rgyud is written by the Dge lugs Buddhist monk scholar Chos dbang grags pa is not clear. It is unlikely that the author composed this work for enlightening or educational purposes. Rather he must have created this work for the purpose of self-discipline or for the completion of his ideal world of art. At the root of the Rā ma ṇa’i gtam rgyud must have been the spirit of l’art pour l’art. | |||||||||||||
| 言語 | en | |||||||||||||
| 内容記述 | ||||||||||||||
| 内容記述タイプ | Other | |||||||||||||
| 内容記述 | 広島大学比較論理学プロジェクト研究センター研究成果報告書（2021年度） | |||||||||||||
| 出版者 | ||||||||||||||
| 出版者 | 広島大学比較論理学プロジェクト研究センター | |||||||||||||
| 言語 | ||||||||||||||
| 言語 | jpn | |||||||||||||
| 資源タイプ | ||||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||||
| 出版タイプ | ||||||||||||||
| 出版タイプ | VoR | |||||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||||
| ID登録 | ||||||||||||||
| ID登録 | 10.15027/52426 | |||||||||||||
| ID登録タイプ | JaLC | |||||||||||||
| 収録物識別子 | ||||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||||
| 収録物識別子 | 1880-6376 | |||||||||||||
| 収録物識別子 | ||||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||||
| 収録物識別子 | AA12025285 | |||||||||||||
| 開始ページ | ||||||||||||||
| 開始ページ | 13 | |||||||||||||
| 書誌情報 |
比較論理学研究 The Annals of the Research Project Center for the Comparative Study of Logic 号 19, p. 13-105, 発行日 2022-03-25 |
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| 旧ID | 52426 | |||||||||||||
