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  1. 広島大学の刊行物
  2. 音楽文化教育学研究紀要
  3. 33号

学生が主体的に行う演奏会の継続に伴う課題 : 広島大学を事例として

https://doi.org/10.15027/50866
https://doi.org/10.15027/50866
92a8d748-c915-42cf-b8fa-b057d90f2e0b
名前 / ファイル ライセンス アクション
MusicCultEduc_33_39.pdf MusicCultEduc_33_39.pdf (1.1 MB)
Item type デフォルトアイテムタイプ_(フル)(1)
公開日 2023-03-18
タイトル
タイトル 学生が主体的に行う演奏会の継続に伴う課題 : 広島大学を事例として
言語 ja
タイトル
タイトル Issues with Continuation of Concerts that Students take the Initiative in: A Case Study of Hiroshima University
言語 en
作成者 増田, 朱音

× 増田, 朱音

ja 増田, 朱音

en MASUDA, Akane

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アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
内容記述
内容記述 Since 2011, students of the Department of Music Education, School of Education, Hiroshima University have been continuously organizing proactive concerts. These concerts comprise advantages such as the ability to perform in small groups and connections that transcend the boundaries of instruments. Conversely, they also engender issues such as a decreased sense of purpose and increased sense of burden in their management. This study aims to clarify issues with continuation of concerts that students take initiative in, explore the factors that caused these issues, as well as obtain suggestions for solving them. The study consists in conducting a questionnaire and an interview survey with the students who participated in the concert, and to analyze the results using methods such as factor analysis. Despite having a positive perspective toward learning and motivation for participation, the students face a sense of challenge in the concert. These challenges could be classified into six categories. The first category concerned bias in instruments and composition, the second regarded a decrease in the number of participants and participating groups. The third lied in the difference in motivation regarding management, difference and balance in workload, time, and burden related to management. The fourth lied in the difference in the sense of purpose among students, the fifth in the ambiguity in the purpose of the concert itself, and the sixth in human relations and hierarchy. It became clear that these factors were related to the diversity of values and experiences, as well as the stereotypical notion of homogeneity. Furthermore, to solve issues, it is necessary for students to recognize that facing the problem-solving process is a part of learning, which is the point at which the characteristics of student-centered concerts can be recognized.
言語 en
出版者
出版者 広島大学大学院人間社会科学研究科音楽文化教育学領域
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.15027/50866
ID登録タイプ JaLC
収録物識別子
収録物識別子タイプ ISSN
収録物識別子 1347-0205
収録物識別子
収録物識別子タイプ NCID
収録物識別子 AA11546850
開始ページ
開始ページ 39
書誌情報 音楽文化教育学研究紀要
Bulletin of music culture education

号 33, p. 39-48, 発行日 2021-03-23
見出し
大見出し 論文
言語 ja
見出し
大見出し Articles
言語 en
旧ID 50866
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