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昭和期戦前における印牧季雄の児童舞踊論に関する一考察 : 音楽と動作の関係性に着目して
https://doi.org/10.15027/46435
https://doi.org/10.15027/46435ffa8d41e-44d8-4521-a1f5-acc9d2fd45cb
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
MusicCultEduc_30_31.pdf (1.1 MB)
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| Item type | デフォルトアイテムタイプ_（フル）(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-03-18 | |||||||||
| タイトル | ||||||||||
| タイトル | 昭和期戦前における印牧季雄の児童舞踊論に関する一考察 : 音楽と動作の関係性に着目して | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | Jidobuyo in Sueo Kanemaki’s Writing in the Showa Period before the War: The Relationship between Music and Movement | |||||||||
| 言語 | en | |||||||||
| 作成者 |
戸江, 真以
× 戸江, 真以
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 主題 | ||||||||||
| 主題Scheme | NDC | |||||||||
| 主題 | 760 | |||||||||
| 内容記述 | ||||||||||
| 内容記述 | “Jidobuyo" is a form of children’s physical expression with music that flourished in Japan from the Taisho period to the Showa period. While “yugi" is dance for children that has been inherited from the Meiji period. The term “jidobuyo" was used instead of “yugi" by Sueo Kanemaki (1899－1983) who was considered a leader in the development of jidobuyo as an institution. Kanemaki placed great importance on the relationship between music and movement, and wrote about the notion in detail, enabling the concept to be examined from a historical perspective. The current study aimed to examine Kanemaki’s theory, focusing on the relationship between music and the movement involved in jidobuyo. The results suggest, this concept was developed at the historical transition of children’s physical expression. Kanemaki’s book, Gakko Buyo Riron yori Sosaku e (“School dance: from theory to practice") was the main subject of this study. This text was selected for study because it was written after studying abroad, enabling an analysis of the source of Kanemaki’s theories and the process by which the distinctive theory of dance was developed by incorporating foreign conceptions of dance. Specifically, Kanemaki’s statements on the relationship between music and movement were analyzed in detail. This analysis revealed three main findings: Kanemaki’s ideal dance movements involved (1) choreography at the core of music; (2) avoiding enumeration of poses that suggested the meaning of words in music; and (3) expressing the mood of words in music. These viewpoints were historically significant for two reasons. First, Kanemaki’s theory led children’s physical expression to be more artistic and more emotional. Second, this theory played an important role in establishing the pairing of rhythmical movements and music. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 広島大学大学院教育学研究科音楽文化教育学講座 | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.15027/46435 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 1347-0205 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA11546850 | |||||||||
| 開始ページ | ||||||||||
| 開始ページ | 31 | |||||||||
| 書誌情報 |
音楽文化教育学研究紀要 Bulletin of music culture education 号 30, p. 31-37, 発行日 2018-03-22 |
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| 見出し | ||||||||||
| 大見出し | 論文 | |||||||||
| 言語 | ja | |||||||||
| 見出し | ||||||||||
| 大見出し | Articles | |||||||||
| 言語 | en | |||||||||
| 旧ID | 46435 | |||||||||
