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  1. 広島大学の刊行物
  2. 欧米文化研究
  3. 24号

ヒロミ・ゴトー作品における規範解体 : 『 コーラス・オブ・マッシュルーム』(1994)のキノコ表象をめぐって

https://doi.org/10.15027/46600
https://doi.org/10.15027/46600
32159e40-aa92-4cfc-8144-9806719b7def
名前 / ファイル ライセンス アクション
OubeiBunkaKenkyu_24_41.pdf OubeiBunkaKenkyu_24_41.pdf (1.2 MB)
Item type デフォルトアイテムタイプ_(フル)(1)
公開日 2023-03-18
タイトル
タイトル ヒロミ・ゴトー作品における規範解体 : 『 コーラス・オブ・マッシュルーム』(1994)のキノコ表象をめぐって
言語 ja
タイトル
タイトル Deviating from Norms in Hiromi Goto’s Books: Representation of Mushrooms in Chorus of Mushrooms (1994)
言語 en
作成者 岸野, 英美

× 岸野, 英美

ja 岸野, 英美

en Kishino, Hidemi

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
主題
主題Scheme NDC
主題 930
内容記述
内容記述 Until now, reviews of Hiromi Goto’s (1966 - ) debut work Chorus of Mushrooms (1994, below “Chorus") and studies on her early works often attempt to position the Japanese-Canadian author as a diaspora writer. For example, Guy Beauregard pointed out that Goto’s doubtful view of cultural homogeneity in Chorus is connected with “writing diaspora" theory including“ the automatized other" that Rey Chow once analyzed using the works of Chaplin. Eva Rich Ponce focused on the languages used in Chorus (primarily English and Japanese), and discussed the process of Japanese-descent people finding a cultural identity as depicted by Goto, and Goto’s deconstruction of Canadian stereotypes of Japanese-descent people. Chorus is deeply concerned with Goto’s own origins as someone born in Chiba, Japan and moved to Canada at the age of three. Japan-born Goto has a strong fixation on the reality of being unable to create strong roots in a Canadian society permeated by a culture centered on white people, and on her own pursuit of an ethnic identity. It is possible to consider these aspects as tending toward the characteristics of diaspora writers and, as such, it is possible to position this book among diaspora literature. However, that is not all of what is depicted in Chorus. In this work, Goto consistently resists existing norms, namely, social norms, cultural norms, and even gender norms; we can perceive this work as demonstrating the beginning of Goto’s daring attempt to deconstruct norms. For example, Naoe, the grandmother of the protagonist Muriel, alludes to Zhuang Zhou’s “Dream of theButterfly." A Chinese philosopher (Zhuang Zhou) dreams that he became a butterfly, and when he woke up, he was not sure if he was a butterfly or a human, but Naoe wonders why it is necessary to make a distinction between a butterfly and a human (44). In this way, Goto tries to deviate from existing dualistic perceptions and value systems through Naoe. Regarding norms, there are many types, including social, cultural, sexual, and sensual norms, but if we look at “mushrooms" as seen in the book’s title, this is also related to Goto’s resistance to and deconstruction of all kinds of norms. Accordingly, this paper focuses on mushrooms and the mushroom cultivation shed, which have symbolic implications in Chorus, and examines how Goto depicted these while deconstructing existing normative awareness and tearing down the boundaries that divide mainstream culture and subculture, whites and non-whites, men and women, and homosexuality and heterosexuality.
言語 en
内容記述
内容記述タイプ Other
内容記述 本稿はJSPS科学研究費(科研費番号:16K16797)の助成の一部を受けた研究成果の一部である。
出版者
出版者 広島大学大学院総合科学研究科欧米文化研究会
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.15027/46600
ID登録タイプ JaLC
収録物識別子
収録物識別子タイプ NCID
収録物識別子 AN10583886
開始ページ
開始ページ 41
書誌情報 欧米文化研究
Studies in European and American Cultures

号 24, p. 41-58, 発行日 2017-12-27
旧ID 46600
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