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  1. 広島大学の刊行物
  2. HABITUS
  3. 27巻

千利休の侘び茶における美学(上) : 唐物から和物(楽茶碗)への変化を中心に

https://doi.org/10.15027/53734
https://doi.org/10.15027/53734
3fdc9304-55a3-4b8c-9428-a51e9dcd098d
名前 / ファイル ライセンス アクション
HABITUS_27_166.pdf HABITUS_27_166.pdf (1.7 MB)
Item type デフォルトアイテムタイプ_(フル)(1)
公開日 2023-04-13
タイトル
タイトル 千利休の侘び茶における美学(上) : 唐物から和物(楽茶碗)への変化を中心に
言語 ja
タイトル
タイトル Aesthetics in Wabicha of Sen Rikyu Focusing on the change from karamono to wamono (raku teacup)
言語 en
作成者 吉, 慶

× 吉, 慶

ja 吉, 慶

en Ji, Qing

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アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
内容記述
内容記述 The wabi philosophy was, purportedly, established by Takeno Jouou (1502-1555) and perfected by Sen Rikyu (1522-1591). Later generations of researchers often considered it from an ideological perspective, but it was inadequate to conceptually analyze the aesthetics of Rikyu and its deepening into wabi. In contrast, few studies have considered Sen Rikyu's internal thought transformation , probably because he left few texts or documents, making it difficult to directly grasp his thoughts. From a historical standpoint, this study empirically analyze d the wabi thought s based on the tools that Rikyu presented at a tea ceremony. Specifically, based on the “Yamanoue no Sojiki" and Rikyu's tea ceremony record, which were primary historical sources of the Rikyu period, we identified the vessels that Rikyu used in his later years. Additionally, we elucidated the characteristics of the vessels that show the idea of Wabi from an aesthetic perspective. Moreover, based on the texts of Yamanoue no Sojiki and sentences of the “Kokoro no shi no bun,“ I analytically extracted aesthetic scales for interpreting and evaluating suyori tools, that is, “ nari " “hiro," and “hu," and used them to analyze the experience of specific vessels. Rikyu's wabi philosophy took time to mature; the formation of this philosophy is deeply related to the tea age of Rikyu. This study divided Rikyu's thought into three stages, and examined the changes in tea utensils from adolescence to middle age from aesthetic and philosophical perspectives. The first phase was before the ninth year of the Eiroku (1566), when Rikyu hosted tea ceremonies using only tang goods. The second stage was from the ninth year of Eiroku to the twelfth year of Tensho (1584). During this period, Rikyu used Japanese products centered on Bizen ware, but the frequency of use of Japanese products was still low. The third stage was after the twelfth year of Tensho (1584). In the Rikyu tea ceremony during this period, tang and Japanese products were freely handled, and harmony with natural beauty was emphasized; it is considered the completion period of Rikyu's wabi.
言語 en
出版者
出版者 西日本応用倫理学研究会
言語 ja
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ journal article
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.15027/53734
ID登録タイプ JaLC
開始ページ
開始ページ 166
書誌情報 ja : HABITUS
en : HABITUS

巻 27, p. 166-191, ページ数 26, 発行日 2023-03-20
見出し
大見出し 研究論文
言語 ja
旧ID 53734
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