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井島勉の書道観とその問題点
https://hiroshima.repo.nii.ac.jp/records/2015313
https://hiroshima.repo.nii.ac.jp/records/20153136453124b-e351-46b0-b611-c4d2d60ba841
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
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| Item type | デフォルトアイテムタイプ_(フル)(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-03-18 | |||||||||
| タイトル | ||||||||||
| タイトル | 井島勉の書道観とその問題点 | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | Tsutomu Ijima’s View of Calligraphy and Its Problems | |||||||||
| 言語 | en | |||||||||
| 作成者 |
林, 淳
× 林, 淳
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 権利情報 | ||||||||||
| 権利情報 | Copyright (c) 2021 by Author | |||||||||
| 内容記述 | ||||||||||
| 内容記述 | Aesthetician Tsutomu Ijima (1908–1978) had a major influence on the Japanese avantgarde calligraphy that developed after World War II, but there has been no study that covers his claims in detail. Through the production of calligraphic works supported by Ijima’s claims, his influence has reached the present day. The purpose of this paper is to provide a new angle on how to evaluate postwar calligraphic works by closely examining Ijima’s views on calligraphy. In addition to books published by Ijima, I have focused on his other writings, especially those published in calligraphy journals, as well as conversations. I collected as many of his statements as possible, organized and examined them to clarify his views on calligraphy, and explored other related issues. As a result, I found that the bias in Ijima’s thinking toward traditional art had an impact on his view of calligraphy. This paper does not diminish Ijima’s reputation as an aesthete, but it does provide an important perspective for our future evaluation of calligraphic works produced using traditional methods. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 広島芸術学会 | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 0914-9872 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AN10217323 | |||||||||
| 開始ページ | ||||||||||
| 開始ページ | 17 | |||||||||
| 書誌情報 |
藝術研究 Annual Review of Hiroshima Society for Science of Arts 号 34, p. 17-31, 発行日 2021-09-01 |
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| 見出し | ||||||||||
| 大見出し | 査読論文 | |||||||||
| 言語 | ja | |||||||||
| 見出し | ||||||||||
| 大見出し | Articles | |||||||||
| 言語 | en | |||||||||
| 旧ID | 51131 | |||||||||