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アイテム
藤原為家における〈擬古典主義〉と中世和歌の持続可能性 <査読論文>
https://hiroshima.repo.nii.ac.jp/records/2015284
https://hiroshima.repo.nii.ac.jp/records/20152844692f0ad-876e-4fd6-a6ab-f809d852b7d0
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
GeijutsuKenkyu_29_1.pdf (1.6 MB)
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| Item type | デフォルトアイテムタイプ_（フル）(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-03-18 | |||||||||
| タイトル | ||||||||||
| タイトル | 藤原為家における〈擬古典主義〉と中世和歌の持続可能性 <査読論文> | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | Pseudo-classicism on Fujiwara no Tameie and Sustainability of Medieval Waka Poetry <Articles> | |||||||||
| 言語 | en | |||||||||
| 作成者 |
土田, 耕督
× 土田, 耕督
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 権利情報 | ||||||||||
| 権利情報 | Copyright (c) 2016 by Author | |||||||||
| 主題 | ||||||||||
| 主題Scheme | NDC | |||||||||
| 主題 | 910 | |||||||||
| 内容記述 | ||||||||||
| 内容記述 | Waka poetry had a history of approximately 700 years from the latter half of the eighth century when Man'yo shu was completed to the middle of the fifteenth century when Shinshoku-kokin waka shu, the last official anthology by the imperial order, was compiled. Moreover, waka was kept alive until the early modern era. The reason for such sustainability can be found in classicism in medieval waka, established by FUJIWARA no Tameie (1198-1275). Tameie developed a method of reusing old poetry and fixed the compositional idea of mezurashi. He valued the method called koka wo toru, which means reusing old words without representing the content composed in the old poem, and found an unexpectedness on construction of old words. In the contemporary research on waka, Tameie's classicism is often regarded as "pseudo-classicism" and despised in terms of creative value attached to the composition. From the viewpoint of collective composition, however, the pseudo-classic aspects have the significance of extending poetic construction by constantly renewing the distribution of hackneyed phrases. Tameie's pseudo-classicism enabled waka poetry to be a sustainable system. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 広島芸術学会 | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 0914-9872 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AN10217323 | |||||||||
| 開始ページ | ||||||||||
| 開始ページ | 1 | |||||||||
| 書誌情報 |
藝術研究 Annual Review of Hiroshima Society for Science of Arts 号 29, p. 1-16, 発行日 2016-07-15 |
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| 旧ID | 44310 | |||||||||
